Musical Studies


During and after my Academic studies I never missed the opportunity to perform. I worked hard with other musicians: these everyday experiences and performing in concerts were my main teachers.


  • Junior Fellowship in Piano Accompaniment at the Trinity Laban Conservatoire in London

  • Diploma in Piano at "Alfredo Casella" Conservatory of L'Aquila, maestro Walter Fischetti

  • Post Graduate Courses of Chamber Music at the Music School of Fiesole with Bruno Canino, Andrea Lucchesini, Alberto Miodini and Trio di Parma, Pavel Vernikov. Two Annual Scholarships obtained

  • Masterclasses with Pierluigi Camicia at the Ludus Tonalis Academy

Harpsichord and continuo

Theory and practice, research and experience were my others teachers.


  • Master Degree cum Laude at "San Pietro a Majella" Conservatoy of Naples, maestro Enza Caiazzo

  • Masterclasses with Enrico Baiano (Architasto and Fima), Pierre Hantaï (Architasto), Rinaldo Alessandrini (Fima)

Personal study of all the main 16th to 19th century treatises. Dissertations on Girolamo Diruta “Il Transilvano”; on the historical development of the Toccata form; on the relationship between late'-renaissance and baroque music, poetry and the singing of birds.

Studies with Jacqueline Ross on the historical performance practice of the Romantic music, with a particular focus on Brahms.

I currently own a 1814 Broadwood Tafelklavier.

Historical Performance Practice


I belong to the Roman School of Composition that has its origin in Goffredo Petrassi. I studied with the late Armando Badolato and then with Claudio Perugini: they taught me the importance of a strong technical proficiency, of formal awareness and craftsmanship.


  • Diploma in Composition (vecchio ordinamento) at "Egidio Romualdo Duni" Conservatory of Matera, maestro Claudio Perugini

  • Masterclasses at Arts Academy, with Claudio Perugini

Analysis and practice, studies on aesthetic and historical informed performance, orchestration skills and assistantship, working with young musician developing their potential.


  • Diploma in Conducting (vecchio ordinamento) at "San Pietro a Majella" Conservatory of Naples, maestro Francesco Vizioli

  • Masterclasses with Lior Shambadal



I have studied organ and gregorian chant with Juan Paradell Solè, principal organist of the Cappella Musicale Pontificia “Sistina” of the Vatican State.